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19 hours ago | ThisIsColossal
“The cloak is a talisman from harm, keeping one safe and secure throughout transitions,” says Chilean artist Catalina Swinburn, whose elaborate sculptures use thousands of pieces of folded paper to explore world history. Living and working between Buenos Aires and London, she is drawn to ideas around migration and displacement, turning material derived from books, documents, and maps into large-scale wall pieces and intricate, robe-like compositions.
Swinburn is interested in liminality, the process of transitioning across borders or boundaries in space or time that often requires formal procedures. More
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19 hours ago | ThisIsColossal
A mélange of architectural structures, cosmic mappings, South American textiles, hieroglyphics, and Indigenous symbols emerge in vivid, balanced color in Eamon Ore-Giron’s paintings. Often rendered in flashe and mineral paint on large-scale linen canvases, the works are enveloping and visionary, transporting the viewer into Ore-Giron’s flat, geometric vistas.
Currently based in Los Angeles, the artist is deeply influenced by his surroundings. He was raised in Tucson by a Peruvian father and mother of Irish descent, embedding him within a distinct medley of global cultures from Latino and Indigenous to Andean and European. More
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05 Jun 20:00:07 | ThisIsColossal
Sarah Zapata is interested in the presence of textiles. Her large-scale, immersive installations are architectural, with feet-high columns looming over interiors, ladders holding stitched works on their rungs, and structural forms arranged like walls or distant skylines. Expanding the realm of textiles beyond physical touch and practical use, Zapata considers how fibers occupy space and the way traditions and notions of community continue to evolve. “What I’m always thinking about in installation, and why I find it to be so important, is the viewer is literally part of the work,” she says, noting that she tends to use space as a material itself. More
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05 Jun 20:00:05 | ThisIsColossal
Though Lorna Simpson is known primarily as a photographer, she doesn’t limit herself to one particular medium, working across photography, painting, collage, and sculpture in an intuitive process she discusses in a new interview.
I think in terms of making art or working, it’s not always comfortable. It’s not always assured…A lot of times, there’s maybe a lot of questions, or it can have that thing where I’m not quite sure if I’m pulling it off.
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03 Jun 20:00:20 | ThisIsColossal
“I love spending hours in the art shop, feeling the surfaces of different paper and making connections with all information that I carry with me about the project,” says Lina Kusaite, whose meticulous botanical illustrations range from book pages to expansive wall murals. Mostly focusing on commissions for clients like publishers and hospitality venues, the Brussels-based artist has a knack for collaborating with other designers to determine the scale and scope of an installation or a series of drawings. More
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03 Jun 20:00:21 | ThisIsColossal
“I think there is a lot of poetry in imperfections,” says Giulia Pintus (previously). Through introspective drawings in shades of blue and pastel tones, the Piacenza-based illustrator interrogates unrealistic beauty standards and the notion of flaws. She focuses on the relationship between physical and emotional well-being and meditates on the intimate, unrefined moments of human existence.
Depicting periods of quiet and solitude, the renderings center on characters with large limbs and shapely bodies and are tinged with whimsy. More
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Illuminated by Moonlight, Giulia Pintus’ Illustrations Ruminate on Imperfection and Solitude appeared first on Colossal.
02 Jun 20:00:12 | ThisIsColossal
Vying to be the world’s largest bathtub toy is a game that two can play. Ten years after his enormous rubber duck sailed through Hong Kong’s Victoria Harbour, Dutch artist Florentijn Hofman marks the occasion with Double Ducks. The identical inflatable artworks sit side-by-side in the waterway, designed to be hitched to tugboats and escorted in all of their sunny splendor, foregrounding the famous panoramic views of the city’s skyline. More
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02 Jun 20:00:12 | ThisIsColossal
In the hands of Eva Jospin, humble cardboard transforms into atmospheric forests, architectural wonders, and mysterious monuments. For more than a decade, the Paris-based artist has explored the possibilities of the corrugated material, layering it to create solid pieces that can be carved to reveal detailed landscapes and interiors. In her solo exhibition Folies at Mariane Ibhrahim, an immersive, site-specific installation challenges notions of scale, while a range of drawings and three-dimensional pieces expand on the possibilities of paper with the addition of bronze and silk tapestries. More
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Mystical Forests Meet Cavernous Classical Interiors in Eva Jospin’s Cardboard Sculptures appeared first on Colossal.
01 Jun 20:00:11 | ThisIsColossal
Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at Opportunities Newsletter.
ArtPrize Call for ArtistsFeatured
ArtPrize is an open art competition that takes place for 18 days from September 14 to October 1 in Grand Rapids, Michigan, and any artist working in any medium from anywhere in the world can participate. More
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article June 2023 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.
01 Jun 20:00:10 | ThisIsColossal
The home of Ellsworth Kelly’s iconic modernist chapel titled “Austin,” the Blanton Museum of Art has expanded its outdoor art environment with a sculptural installation by Snøhetta. The architecture and design firm (previously) began the project in 2018 with the ambitious task of reinterpreting an area of 200,000 square feet, containing two large buildings that are part of The University of Texas at Austin’s campus. More
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Grove of Petal-Like Sculptures by Snøhetta Shade the New Grounds of Blanton Art Museum appeared first on Colossal.